University of Southern California, Feuchtwanger Memorial Library

This rich collection contains Hanns Eisler's personal and business correspondence from his years in Southern California (1942-48). In addition the archive contains a few biographical documents and photographs. The collection also contains several recordings for films on records by Hanns Eisler.

Lion Feuchtwanger (1884-1958) was a celebrated German-Jewish novelist and outspoken enemy of the Nazis. He began his literary career as a theater critic and turned his talent to writing plays in the 1910s and 1920s. He first became internationally known for his historical novel Jud Süss published in 1925. In 1933, he went into exile in Southern France and in 1941 he emigrated to the United States. He was an important figure in intellectual and artistic circles in Los Angeles during the 1940s and 1950s. During the McCarthy era he was under observation by the FBI. Feuchtwanger passed away in 1958. He died stateless as he was never returned his German citizenship and was denied American citizenship during the McCarthy era. The collection includes Feuchtwanger's personal and business correspondence; manuscripts for plays, poetry, short stories, and historical novels; manuscripts by other writers such as Charles Chaplin's manuscript for Limelight; correspondence with publishers; newspaper clippings mentioning Feuchtwanger and other exiles; photographs from Feuchtwanger's life in Germany, his exile in France, and in the United States; copyright agreements and reviews of his works; ephemera; art works; audio and video recordings; and his speeches and open letters about Judaism, politics, and literature. The papers also contain Feuchtwanger's extensive collection of autograph letters and the bookseller's catalogs used by Feuchtwanger to acquire his vast personal library. Furthermore, the collection includes materials on the establishment of the Feuchtwanger Memorial Library at USC, the International Feuchtwanger Society, and the artists' residence Villa Aurora, the former Feuchtwanger residence.

This archive contains the correspondence of Marta Feuchtwanger, wife of German-Jewish writer Lion Feuchtwanger, who survived her husband by almost thirty years. Marta Feuchtwanger remained an important figure in the exile community and devoted the remainder of her life to promoting the work of her husband. The collection contains Marta Feuchtwanger's personal correspondence, texts and manuscripts by her and others, royalty statements received for the works of her husband, correspondence with publishers, and newspaper clippings mentioning Lion and Marta Feuchtwanger and other exiles. The collection also includes correspondence regarding the establishment and administration of the Feuchtwanger Memorial Library and Villa Aurora.

This collection comprises the business and private archives of literary agent and Pazifische Presse co-founder Felix Guggenheim (1904-1976). The collection includes private and business correspondence, and contracts with publishers, authors and other business associates between 1925 and 1986 (bulk 1940-1976). The collection also includes manuscripts, some photographs and book reviews of works by many of the authors Guggenheim represented. Authors of the German-speaking Exile community in Los Angeles are particularly well represented.

This collection consists of manuscripts written by Oscar Homolka during his stay in Southern California. The collections also contains some photographs and ephemera relating to Homolka.

The collection comprises correspondence between Ernst Jaeger and filmmaker Leni Riefenstahl, starting in the 1950s to the 1970s as well as screenplays, manuscripts and other correspondence from Ernst Jaeger. Blending audio recordings, photographs and correspondence, the cinematic memorabilia offers insight into the tumultuous relationship of the one-time colleagues, revealing how Riefenstahl coped emotionally and financially with her unenvious status as a social pariah following Germany's World War II defeat. Materials that include letters in her own handwriting are an invaluable source for her perspective on life after the war, and they shed light on the reputation of her films and their importance as part of fascist propaganda. Many of the postcards and letters in the collection are in her native German, though many have been translated into English. This discrete but rich collection not only provides insight into Leni Riefenstahl's personal and financial worries, but also details her relationship with her former collaborator and mentor, Ernst Jaeger. While the first part of the collection focuses on the relationship between Riefenstahl and Jaeger, the second part mainly focuses on Jaegers work in the US. Several manuscripts for screenplays as well as his personal and business correspondence highlight Jaeger's efforts in finding work and recognition in the film business.

This collection contains the papers of Irmgard Lenel, who was born in Germany in 1901 and who immigrated to the United States in 1937. She was a politically active socialist involved with groups like Women for Legislative Action and the Friends Committee on Legislation. Her papers include correspondence, photographs, legal papers, and some periodical publications.

The papers include personal and business correspondence, manuscripts and published articles, and personal documents and photographs, and pencil drawings dating from Heinrich Mann's years in France, 1933-1940 and Los Angeles, 1940-1950.

This collection includes personal and business correspondence, manuscripts and published articles, and personal documents and photographs, and pencil drawings dating from Marcuse's years in France, 1933-1940 and Los Angeles, 1940-1950.

The papers include personal correspondence and correspondence related to actor, director, mime, and choreographer Ernst Matray's artistic life, as well as photographs, invoices & statements, press clippings, artwork by Ernst Matray, autobiographic manuscripts and creative writing, some audio/visual materials, and some correspondence and invoices & statements of Matray's third wife Elizabeth McKinley Matray. The papers comprise materials from the years 1933-1984, the bulk beeing from Matray's second stay in the US from 1955-1978.